- Show me movies that are similar to the movie when the bough breaks movie#
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Her performance is oddly alien-literally, in that she tilts her head and observes John with the calculation of a Scarlett Johansson’s extraterrestrial in “ Under the Skin,” the two of them robots seemingly trying to learn what is seductive. She doesn’t provide the believable shift from possibly innocent to possibly manipulated (by Mike) to then desperately obsessive.
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Her image of evil is made up of different attitudes, but it doesn’t amount to a full character. The wild card in the story is Jaz Sinclair, given an "and introducing" credit in the beginning. “You start to hate your own body,” she says, creating a sinking feeling in my stomach this script doesn’t deserve. Hall, in particular, has a genuinely touching moment when she expresses the emotional pain of her miscarriages. In the case of “When the Bough Breaks,” Morris Chestnut and Regina Hall are excellent salespeople, imbuing sincerity into the characters and their progressively dumb actions, even going so far in the first act as to convince us that this drama will not eventually explode into a big ball of fire shortly after take-off. It’s not just in finding beautiful leads who make the experience go quicker but helping us believe a smidgen of the hokum.
Show me movies that are similar to the movie when the bough breaks movie#
The character trait of surrogate mother proves to be a terrible idea to create obsession with a person of close proximity 2009’s “Obsessed”-a Screen Gems movie too, starring Beyonce, Idris Elba and an Ali Larter trying to get between them-does this much better by simply not overthinking its title.Ĭasting plays a key part in these films. If she should get away from the couple with the baby without John somehow by her side, she's only entering a bleaker future with another life to take care of. For these Screen Gems films that talk about personal boundaries, which are violated by evil, initially innocent people who take advantage of good will, now we’re meant to root for characters to take away a baby from a woman who is revealed to be a multi-foster home kid and survivor of sexual abuse.
A fun gap in all of this is the stated notion that the baby does not belong to the Taylors-ever, if Anna wishes-and it makes a pitch of Anna's mania essentially into that of a couple trying to snuff out the surrogate mother after failing to own her and then her baby. Anna is carrying their baby, but she wants to have John, too.ĭespite the story’s initially completely baffling but welcome focus on characters for a change, the movie is baffled by the requirement of motivation, instead wanting to honor ideas of obsession while finding a way to get some dead body insert shots into the mix. She has a shady fiancé, Mike ( Theo Rossi), who helps her create the image of a nice young couple, so much that when Mike is arrested for beating Anna, she is invited to stay at the Taylors’ beautiful New Orleans house, where an obsession suddenly flares within Anna.
During the opening credits, they learn about Anna ( Jaz Sinclair), a smiling young woman who loves the idea of having something that someone else wants. They’ve gone through three miscarriages and are on their last embryo. Steered by a wall-to-wall score that tells you the exact tone of a scene, “When the Bough Breaks” starts innocently enough, with a beautiful couple, John and Laura Taylor ( Morris Chestnut and Regina Hall, respectively) who are trying to find the right surrogate mother. This would be fine if the story wasn’t so hideous, this time replacing the violent masculinity of characters played previously by Idris Elba (“No Good Deed”) and Michael Ealy (“The Perfect Guy”) with the tale of a villainous pregnant woman seeking to destroy a marriage and their last hope at having a baby, all to see if we have more taste than the film itself. When it yearns for horror thrills, the "behind you!" beats are by-the-book. It is directed in large part by stimulating pieces: establishing shots of powerful skyscrapers or the interiors of a fancy home close-ups of select PG-13 flesh.
The latest addition to this informal franchise is “When the Bough Breaks,” which boasts no good escapism and a very imperfect sense of humanity.
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